Luminous Copyright Dec 2, 2018
Lyrics by
Bette Korber, music by Bette Korber and Lisa Carman
This song
is played in a standard guitar tuning, but riddled with non-standard chords.
As I don’t
know what I’m doing, I made up a way to try to write this down.
“h” is my
way of trying to write a non-standard chord played up on a high fret. It
means fingering like a simple E or A, but played “high” up, on the fret number
indicated (like the 7th or 9th fret)
I tried to
guess from the notes what the chord might actually be on the left. Good luck!
B=Eh on 9th fret,
A = Eh on 7th,
E= Ah on 9th,
D = A on 7th fret, C = A on 5th fret, Bb = A on 3rd
fret
Intro --
instrumental
Actual
chord (chord form/fret)
B / B / A
/ A / (E
9th E 7th)
B4 / B4 /
A2 / A2 / (E 9th E 7th)
B4 / B4 /
A2 / A2 / (E 9th E 7th)
D2 / A / E
/ E (A 7th, A, E)
E2 / D2 /
E / E (A
9th, A 7th, E)
Chorus:
piclk Actual
chord (chord/fret)
Your words are trailing stardust B
/ B / A / A / (Eh 9th Eh 7th)
There’s
moonlight in your eyes B
/ B / A / A / (Eh 9th Eh 7th)
Reason
leads to the knowledge you find B / B / A / A / (Eh 9th Eh 7th)
As the
Music of the Spheres plays in your mind.
D / A / E / E / (Ah
7th, A, E)
Verses: strum
Henrietta’s
stars are dancing, B
/ B / B / B / (Eh 9th)
Shining
with rhythms of light. A
/ A / A / A / (Eh 7th)
Finding meaning
in their tempos, B / B / B / B / (Eh 9th)
She gave
distance to the night. G / G / F / F / (Eh 5th,
Eh 3rd,)
E / F / G / G
( E , Eh 3rd , Eh 5th)
Cecilia
untangled starlight,
Found the
fabric of the universe.
White fire
in her alchemy
Heats the
sun and warms the Earth
Chorus: sing
Aaaahhhhh
break strum
E (Ah 9th) D (Ah 7th) C
(Ah 5th) Bb (Ah 3rd) A A E
/ D / C / Bb / A
Ah –a Ah – a Ah – a Ah
–a-aa-a a-a Ah pause
Verses:
Vera
danced with Galaxies,
They
swirled her in their arms,
She found
matter in their darkness,
Shaped
their patterns and their forms.
Sweet
Beetle weighed the universe,
Held omega
in her palm
She saw
dark and light together
Expand into
Forever’s song.
Chorus
Your words
are trailing stardust
There’s
moonlight in your eyes
Reason
leads to the knowledge you find
As the
Music of the Spheres plays in your mind.
Outro:
strum
Luminous,
Mysterious, Luminous, Mysterious
E/ D / E/ D (Ah 9th, Ah 7th)
Luminous,
Mysterious, … Women’s minds.
E / D / E / E (Ah 9th, Ah 7th)
This song and video were created as a tribute to four women astronomers:
Henrietta Leavitt (Leavitt’s law, period-luminosity relation), Cecilia Payne
(the composition of stars), Vera Rubin (Dark Matter), and Beatrice
(Beetle) Tinsley (galactic evolution and the expanding Universe).
Adapted Creative Commons copyright
Song copyright, Dec. 2, 2018, video copyright, July 1, 2019)
Please feel welcome to
sing Luminous live in any venue.
Please feel free to
share or show the Luminous music/video in any non-commercial context,
but please keep the credits at the end linked to the images to comply with their usage
requirements.
If you
would like to record this song, please contact Bette Korber or Lisa Carman at
She Sings Studio, Bozeman, Montana.
Song Notes:
I
write songs that tell stories, of people and places that move me. I was reading
about astronomy, trying to understand what I could about how we (collectively)
know what we know about the universe. As I read, I discovered the work of four
amazing women whose ideas helped shaped the way we understand the cosmos:
Henrietta
Leavitt (Leavitt’s law, period-luminosity relation allowing us to measure the
relative distance to stars),
Cecilia
Payne (Composition of stars and the sun),
Vera
Rubin (Dark Matter),
Beatrice
"Beetle" Tinsley (Galactic evolution and the expanding universe)
The
work of these fine women was new to me, but of course they are not forgotten
among those enjoy the history of science -- there is rich information about
them available for the curious in terms of biography, essays, and letters.
There are lonely craters on the moon, and asteroids streaking through the dark
and cold of space, that bear their names. A mountain peak in New Zealand was
favored with the name Mount Tinsley.
Even better, one can find them in the clear beautiful trails of
understanding they left in scientific literature. But as far as I could tell,
they were "unsung". So I fixed that.
I'm blessed to be able to collaborate with wonderful musicians who lift
up my songs and give them some grace.
This song comes to you from:
Lyrics
by Bette Korber
Music
by Bette Korber and Lisa Carman
Lead
Vocal: Lisa Carman
Mandolin:
Jimmie Killingsworth
Banjo:
Peter Oviatt
(Peter's
and Jimmie's music is so entwined it flows together as one sweet shining stream
of music through this little song)
Violin:
Karina Wilson
Bass:
Justin Bransford
Harmony
Vocal: Adrienne Bellis
Drums
and Percussion: Paul Pearcy
Sound
Engineer: Jono Manson (Kitchen Sink Studio: Santa Fe, New Mexico)
Mastering:
Michael MacDonald (AlgoRythms Mastering: Santa Fe, New Mexico)
Producers:
Bette Korber and Lisa Carman (She Sings Studio: Santa Fe, New Mexico &
Bozeman, Montana)
There
is a moment of quiet at the end of the song, Karina's fiddle sings us out, then
there is silence, then her fiddle whispers back in. The silence between the fiddle lines is a
wordless line of the song. It is for Vera Rubin, a Quiet to remember the many
many long cold nights she spent in the high peaks of Arizona, minding the great
telescopes, her mind in the stars of a dark sky, her thoughts entering distant
galaxies. Observing.